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Breaking NewsAfrica·Diaspora·29 Jun 2026, 19:43

Sandrine Nnanga unveils “Awake”: a bridge between bikutsi, makossa and the diaspora

On June 29, 2026, Cameroonian singer Sandrine Nnanga presented her new album “Awake” at the Afro‑Club, a project that blends bikutsi, makossa and zouk, sung in Fang, Duala, French and English.

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On the evening of June 29, 2026, the Afro‑Club pulsed with a rare energy: Sandrine Nnanga, one of the most striking voices on Cameroon’s music scene, unveiled her latest album, “Awake”. The event, streamed live by RFI Musique, brought together journalists, fans and cultural figures for a performance that promises to redraw the country’s sonic borders.

Hailing from southern Cameroon, Sandrine was introduced to music as a child in the classical choir of her church. This early immersion cultivated a spiritual and technical sensitivity that now manifests as a vocal mastery capable of navigating multiple languages and styles. Her linguistic identity—Fang, Duala, French and English—has become a guiding thread in her career, a bridge between local communities and the diaspora.

In 2011, the singer joined the group Macase as its female vocalist. This step opened the doors to the national stage, where she shared the platform with icons such as Manu Dibango. The band, already known for its daring blend of traditional rhythms and contemporary sounds, provided Sandrine with an experimental laboratory where bikutsi meets makossa, two pillars of Cameroonian music.

Her solo career took off in 2018 with the project “Mulema”, followed by a cover of Ben and Grace Decca’s “Osi Dimbea” that truly thrust her into the spotlight. In 2020 she released her debut album “Introduction”, a collection that solidified her hybrid style and affirmed her ambition to bring southern Cameroonian music beyond its borders. Each milestone reflects a commitment to fuse tradition and modernity without ever sacrificing the authenticity of her roots.

“Awake”, presented tonight, continues this artistic quest. The album swings between bikutsi, driven by rapid percussion, and makossa, with its warm bass lines, while flirting with zouk—a genre that adds a Caribbean flavor to the mix. The lyrics, alternating among Fang, Duala, French and English, tell stories of personal awakening, collective resilience and hope for a more inclusive future. This linguistic diversity broadens the potential audience, giving each listener an identity anchor.

For Cameroonian audiences, the impact of “Awake” goes beyond mere entertainment. By blending ancestral sounds with contemporary arrangements, Sandrine reaffirms the relevance of bikutsi and makossa in a globalized musical landscape. She demonstrates that local culture can engage with international trends without losing its essence. This approach inspires young artists to explore their roots while opening up to external influences, thereby strengthening the country's creative dynamism.

The concert scheduled for Douala in August 2026 promises to extend the momentum generated tonight. Organisers have already announced a lineup that will bring together established figures and emerging talent, aiming to make the city a crossroads of contemporary African music. Sandrine Nnanga, through her energy and commitment, appears ready to turn every stage into an intercultural dialogue space, where past meets present to shape the future.

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